The national broadcaster is frequently criticised for abandoning impartiality to act as a government mouthpiece. Ofcom considers accusations substantial enough to require investigation of the Corporation’s practices.
Guardian Exclusive: database shows 124 green, anti-racist and other groups spied on by undercover police.
Police deployed 24 undercover officers to infiltrate a small leftwing political party over a 37-year period, the Guardian can reveal. The database lists 124 groups that have been spied on by undercover police officers since 1968. The database is incomplete as the full list of groups that were spied on has yet to be established.
The list so far compiled, however, suggests police spies overwhelmingly monitored leftwing and progressive groups that challenged the status quo, with only three far-right groups infiltrated – the British National party, Combat 18 and the United British Alliance.
Undercover officers spied on 22 leftwing groups, 10 environmental groups, nine anti-racist campaigns and nine anarchist groups, according to the database.
They also spied on campaigns against apartheid, the arms trade, nuclear weapons and the monarchy, as well as trade unions. Among those spied on were 16 campaigns run by families or their supporters seeking justice over alleged police misconduct.
Continue reading at the Guardian source:
Groups spied on by undercover police – search the list
Britain has one of the most concentrated media environments in the world, with 3 companies in control of 71% of national newspaper circulation and 5 companies in command of 81% of local newspaper titles.
The hacking scandal and its aftermath demonstrated how that power has been used nationally, whilst at local level community after community is losing the means to publicly hold power to account.
Urgent reform is needed to reclaim the media in the interest of the public.
– Who owns the UK media? – Media Reform Coalition
Update: Also read…
updated: 16:34 20 May 2017
“We live in a time of great uncertainty and confusion.” So begin the familiar tones of Adam Curtis….
Watch HyperNormalisation here in full.
We live in a time of great uncertainty and confusion. Events keep happening that seem inexplicable and out of control. Donald Trump, Brexit, the War in Syria, the endless migrant crisis, random bomb attacks. And those who are supposed to be in power are paralysed – they have no idea what to do.
This film is the epic story of how we got to this strange place. It explains not only why these chaotic events are happening – but also why we, and our politicians, cannot understand them.
It shows that what has happened is that all of us in the West – not just the politicians and the journalists and the experts, but we ourselves – have retreated into a simplified, and often completely fake version of the world. But because it is all around us we accept it as normal.
The film has been made specially for iplayer – and is a giant narrative spanning forty years, with an extraordinary cast of characters. They include the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, the early performance artists in New York, President Putin, intelligent machines, Japanese gangsters, suicide bombers – and the extraordinary untold story of the rise, fall, rise again, and finally the assassination of Colonel Gaddafi.
All these stories are woven together to show how today’s fake and hollow world was created. Part of it was done by those in power – politicians, financiers and technological utopians. Rather than face up to the real complexities of the world, they retreated. And instead constructed a simpler version of the world in order to hang onto power
But it wasn’t just those in power. This strange world was built by all of us. We all went along with it because the simplicity was reassuring. And that included the left and the radicals who thought they were attacking the system. The film shows how they too retreated into this make-believe world – which is why their opposition today has no effect, and nothing ever changes.
But there is another world outside. And the film shows dramatically how it is beginning to pierce through into our simplified bubble. Forces that politicians tried to forget and bury forty years ago – that were then left to fester and mutate – but which are now turning on us with a vengeful fury.
Listen to the Adam Curtis interview from Jarvis Cocker’s Sunday Service
The award-winning documentarian Adam Curtis speaks to Jarvis Cocker to talk about his new BBC iPlayer film, ‘HyperNormalisation’. HyperNormalisation tells the extraordinary story of how we got to this strange time of great uncertainty and confusion – where those who are supposed to be in power are paralysed – and have no idea what to do.
Politicians used to have the confidence to tell us stories that made sense of the chaos of world events.
But now there are no big stories and politicians react randomly to every new crisis – leaving us bewildered and disorientated.
And journalism – that used to tell a grand, unfurling narrative – now also just relays disjointed and often wildly contradictory fragments of information.
Events come and go like waves of a fever. We – and the journalists – live in a state of continual delirium, constantly waiting for the next news event to loom out of the fog – and then disappear again, unexplained.
And the formats – in news and documentaries – have become so rigid and repetitive that the audiences never really look at them.
In the face of this people retreat from journalism and politics. They turn away into their own worlds, and the stories they and their friends tell each other.
I think this is wrong, sad, and bad for democracy – because it means the politicians become more and more unaccountable.
I have made a film that tries to respond to this in two ways.
It tells a big story about why the stories we are told today have stopped making sense.
But it is also an experiment in a new way of reporting the world. To do this I’ve used techniques that you wouldn’t normally associate with TV journalism. My aim is to make something more emotional and involving – so it reconnects and feels more real.
BBC iPlayer has given me the opportunity to do this – because it isn’t restrained by the rigid formats and schedules of network television. It’s a place you can go to experiment and try out new ideas.
It is also liberating – both because things can be any length, and also because it allows the audience to watch the films in different ways.
The film is called Bitter Lake. It is a bit of an epic – it’s two hours twenty minutes long.
Continue reading Adam Curtis’ post and watch the trailer here